The train moves slowly coming out of the city, passing landscape dark and industrial, cluttered and crumbling with the sort of disrepair two or three generations of civic neglect can take on century-old buildings, now lit only by the light of a moon fading into the first glow of an early morning sunrise. From where I am I can make out figures gathered around a smoldering fifty-gallon drum, rubbing their hands to catch the heat of dying embers, and looking ever so much like those groups you might see gathered around an office water cooler, sharing stories about last night's whatever it was, these squatters, down-and-outters, drunks and surly teens, those who see things that aren't there and others who've seen too much of what is, people without homes or families and others seeking freedom from homes or families or those who find their thrill in escaping the tedium of the steady march from people and places they don't want toward other people and places they won't want—the job, the marriage, the children, the lover—moving out of the nothing they find in one space and into the nothing offered by another, as if the moving itself made all the difference in the world. I watch the train as it moves along its track, winding through this wilderness of spirit, and I think of how alike we are, each of us a passenger who pays little mind to what we pass or what we see, each of us going toward a destination we think we have until we don't.
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Thank you for restacking this, @Geraldine A. V. Hughes.
Oh how I wish I were like that train, maybe brighter surrounds, I'll concede. But unattached to passing events and outcome. I'm working on it. Great analogy and prose style, Paul. Freedom runs right through the piece.